I haven’t blogged about the
Mother 32 in a long time, a very long time. That’s because I’ve sold it and
moved on. People warned me, and they were right, the Moog Mother 32 is a
gateway into full blown Eurorack addiction. My Mother 32 was replaced with
two TipTop Mantis cases and a menagerie of Eurorack modules.
Like any proper addict,
I dove in head first, buying and selling modules at a furious rate. At the same
time, I was trying to learn how to navigate the modular workflow. This was a
frustrating way to enter Eurorack, but to spite all of that, I’ve learned a LOT.
“ From the errors of others, a wise man corrects his own. “ –
Publilius Syrus
This isn’t a guide about
what modules you need when starting out, which VCA to purchase, or how many HP
you need in your first case. Those are all valid questions, and that’s another
blog entry for another day. These are 5 of the philosophical questions I’d
wrestled with as I went down the Eurorack rabbit hole, and the lessons I
learned along the way.
1. Do I really want to dive through menus to use a module?
Sure, you can put
Parasites and Bee's In The Trees firmware on Mutable Devices modules, or menu
dive through a Disting MK4, but do you really want to? I hate having manuals,
cheat sheets, etc laying around. I don't have a lot of free time and I just
need to be able to sit down, learn modular, and hopefully be inspired. I’ve
sold most all of my multipurpose software modules, including my Ornaments and
Crime, and went with modules with a dedicated purpose.
OK, In all honesty I did keep my Warps and Disting MK4. The jury is still out on the Disting but Warps is pretty easy to use for a multi-function module.
2. Do I really need the best bongo sounds?
You can run down a total
rat hole trying to make bongo sounds on modular. Sure, the Rubicon is awesome
but how bad do I want the most amazing FM to feed into a LPG? At this point I'd
rather sample something and fire it out with a trigger using a sample module.
Or better yet, I’d rather buy a Plonk and forget the whole Through Zero FM and
Low Pass Gate scenario.
3. Do I really need the best LPG, or Low Pass Gate?
I've bought and sold a
few LPGs and to be honest, I'd rather have a good 12db slope VCF and some good
envelopes generators. I can dial the envelope in to be plucky, long, swell, or
configure it as an LFO if the module supports that. Low Pass Gates tend to
leak, and they all sound different so it can be a total crap shoot.
4. Do I need this module?
I know this sounds like
a stupid question, but honestly, how many times have you convinced yourself you
that you just HAD to have a Wogglebug, Braids, or Clouds? At times it’s seems it’s
all but impossible to do Eurorack without those modules. There are reasons
these modules are popular but the most important thing is that you’re able to
sit down, be inspired, and hopefully make something creative. You don’t have to
have all of the modules your Youtube Eurorack idols have to create an inspiring
sonic pallete.
5. Do I really want a swiss army knife module?
Maths, this is another
one of those “can’t live without it” or "swiss army knife" modules. But just like many of the Make
Noise modules, it’s not exactly intuitive or self-explanatory. I know Maths has
every function including the kitchen sink, but for envelopes I’d rather have a
more conventional ADSR or ADR.
When Make Noise released
their Contour envelope, I was sold. It’s very intuitive, but has some parameters
that can be modulated with CV. At first, the lack of a cycle button was a letdown
but I quickly learned you can patch that up and use it as an LFO. Contour gives you some of the rewards of a swiss army knife module without all of the frustration of learning something as deep as Maths, awesome!
So there you have it, 5
things you should consider when buying Eurorack modules. I hope this helps at
least a few folks out there. If you have any Eurorack module buying lessons,
please share them in the comments!